More recently, this desire has been formalized into stereotomic research. Much of my previous research was dedicated to creating volumetric structures and spaces from sheet materials. I have an ongoing preoccupation with volume. This research is intended to mine the lost knowledge of stereotomy (the art of cutting solids, more typically stone) as a way to inform our contemporary methods of making with the dimension of volume. While I argue these structures outlast any partial-tension structure, making them inherently sustainable, I also argue the purpose of the proposed research is not to revert to this “antiquated” architecture. Perhaps this is because we inherited economically thin sheet materials from the industrial era, or because we no longer consider compression-only structures to be valid. So much of the discussion surrounding digital design has focused on the surface. I like his metric for its simplicity, but also for its assumption that we must not be doing so well today. Marc Jarzombek recently suggested one could determine how well a society is doing by their ability to precisely carve stone.
0 Comments
Leave a Reply. |